Women Artists: Renaissance and Baroque Painters, Sculptors and Engravers |
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As Renaissance
humanism opened up opportunities for individuals to be educated, to grow and to
achieve, a few women transcended role expectations and became notable for their
paintings. An article by Jone Johnson Lewis, Women's History Guide |
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Some Flemish and Dutch women were also successful painters, with subjects including portraits and still life pictures, but also more family and group scenes than painters from Italy portrayed. Women Renaissance and Baroque painters tended, like their male counterparts, to focus on portraits of individuals, religious themes and still life paintings. Some of these women learned to paint in their fathers' workshops and others were noble women whose advantages in life included the ability to learn and practice the art of painting. Their talent is obvious though their names are barely known. First page > Women Artists of the 16th Century > Page 1, 2 Women Artists of the 17th CenturyGiovanna Garzoni (1600-1670): One of the first women to paint still life studies, her paintings were popular. She worked at the court of the Duke of Alcala, the court of the Duke of Savoy and in Florence where members of the Medici family were patrons. She was official court painter for the Grand Duke Ferdinando II. Judith Leyster (1609-1660): A Dutch painter who had her own workshop and students, she produced most of her paintings before she married the painter Jan Miense Molenaer. Her work was confused with that of Frans and Dirck Hals until her rediscovery at the end of the 19th century and subsequent interest in her life and work. Louise Moillon (1610-1696): French Huguenot still life painter, her father was a painter and art dealer and so was her stepfather. Her paintings, often of fruit and only occasionally including figures, have been described as "contemplative." Geertruydt Roghman (1625-??): A Dutch engraver and etcher, her images of women in ordinary life tasks -- spinning, weaving, cleaning -- are from the perspective of women's experience. Also spelled Geertruyd Roghmann. Josefa de Ayala (Josefa de Óbidos) (1630-1684): A Portuguese artist, Josefa de Ayala painted a wide variety of themes, from portraits and still life paintings to religion and mythology. Maria van Oosterwyck (Oosterwijck) (1630-1693): A still life painter from the Netherlands, her work came to the attention of European royalty of France, Saxony and England. She was monetarily successful, but was, like other women, excluded from membership in the painters guild. Mary Beale (1632-1697): An English portrait painter known as a teacher as well as for her portraits of children. Her father was a clergyman and her husband a cloth manufacturer. Elisabetta Sirani (1638-1665): Italian painter, she was also a musician and poet who focused on religious and historical scenes. She died at 27, possibly poisoned (her father thought so, but a court didn't agree). Maria Sibylla Merian (1647-1717): Born in Germany of Swiss and Dutch ancestry, her botanical illustrations of flowers and insects are as notable as scientific studies as they are as art. She left her husband to join a religious community of Labadists, later moved to Amsterdam and in 1699, she traveled to Suriname where she wrote and illustrated the book, Metamorphosis. Elisabeth Sophie Cheron (1648-1711): French painter who was elected to the Royal Academy. Teresa del Po (1649-1716): A Roman artist taught by her father, her daughter also became a painter. She's best known for a few mythological scenes that survive and she also painted portraits. Susan Penelope Rosse (1652-1700): English miniaturist, she painted portraits for the court of Charles II. Luisa Ignacia Roldan (1656-1704): A Spanish sculptor, she became "Sculptor of the Chamber" to Charles II. Her husband Luis Antonio de los Arcos was also a sculptor. Anne Killigrew (1660-1685): Portrait painter at the court of James II of England, Anne Killigrew was also a published poet. Dryden wrote a eulogy for her. Rachel Ruysch (1664-1750): Ruysch, a Dutch painter, painted flowers in a realistic style, probably influenced by her father, a botanist. Her teacher was Willem van Aelst, and she worked primarily in Amsterdam. She was court painter in Düsseldorf from 1708, patronized by the Elector Palatine. Mother of ten and wife of painter Juriaen Pool, she painted until she was in her 80s. Her flower paintings tend to have dark backgrounds with a brightly-lighted center. Giovanna Fratellini (Marmocchini Cortesi) (1666-1731): Italian painter who trained with Livio Mehus and Pietro Dandini, then Ippolito Galantini, Domenico Tempesti and Anton Domenico Gabbiani. Many members of the Italian nobility commissioned portraits. Anna Waser (1675-1713?): From Switzerland, she was known primarily as a miniaturist, for which she was acclaimed throughout Europe. She was a child prodigy, painting a notable self-portrait at age at age 12. Rosalba Carriera (Charriera) (1675-1757):A Venice-born portrait artist who worked in pastel. She was elected to the Royal Academy in 1720. Previous page > Women Artists of the 16th Century > Page 1, 2 More links to resources on women in art history during this period:
First page > Women Artists of the 16th Century > Page 1, 2
Text
copyright 1999-2006 ©
Jone Johnson Lewis. |
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